 Artist: Scarface: mp3 download Genre(s): Rap: Hip-Hop Other Discography:  Made Year: 2007 Tracks: 12  My Homies Part 2 Year: 2006 Tracks: 11  Balls and My Word Year: 2003 Tracks: 14  The Fix Year: 2002 Tracks: 13  Greatest Hits Year: 2002 Tracks: 18  Last Of A Dying Breed Year: 2000 Tracks: 15  My Homies Year: 1998 Tracks: 15  The World is Yours Year: 1993 Tracks: 17  Mr. Scarface Is Back Year: 1991 Tracks: 12  The Untouchable Year: Tracks: 15 Scarface rapidly became the South's to the highest degree admired doorknocker and remained so passim the '90s after breaking forth from the Geto Boys to arrange up his solo career in 1991. Even if he never scored any national hits or stormed up the charts with any of his horde albums end-to-end the '90s, no one could dubiousness his clout passim the South. He fundamentally defined what it meant to be a Southern hoodlum doorknocker years ahead anyone regular coined the term Dirty South. This became glaringly discernible in the late '90s when a massive moving ridge of danton True Young MCs arose from Houston, New Orleans, and Memphis emulating his tendency of hardened, ghetto-bred, straight-up hard-core rapping. Besides share as the father-God of Southern strong-armer strike, it seemed as if every hard-core doorknocker wanted to aline himself with Scarface during the '90s -- everyone from Ice Cube and Dr. Dre to 2Pac and Master P collaborated with the previous Geto Boy -- all in an attack to foster believability among the loyal Southern rap consultation. Yet condescension his authentic influence, Scarface ne'er crossed over to mainstream success. His albums were ofttimes plagued with filler, his lyrics were plainly alike rough for wireless, and his devotion to producer Mike Dean lED to a stagnant, albeit earmark, legal. Still, likely because Scarface ne'er crossed all over and remained aligned to the streets, his influence ne'er waned, fashioning him one of the few veterans able to keep up in the here-today, gone-tomorrow rap game. In the early 2000s, Def Jam Records rewarded his staying index with a moneymaking concentrate, a wealth of industry connections, and a powerful merchandising expect on. Scarface accordingly enjoyed the most successful album of his life history, The Fix (2002), and a revival of interest in his back catalog, which his sometime judge, Rap-a-Lot, repackaged that same year on Sterling Hits. Before Brad Jordan (born November 9, 1970) became known as Scarface, he called himself Akshen. As such, he began his strike career first gear as a solo creative person in his native Houston during the mid-'80s for James Smith's then-fledging Rap-a-Lot label. Smith was trying to launch a group he labeled the Geto Boys, and he eventually asked Akshen to connect the radical in the late '80s. The Geto Boys' second album (and first base to feature Scarface) -- Traction It! On That Other Level (1990), later repackaged and re-released that same class just as The Geto Boys -- appalled many with its intense depictions of violence and its boilers suit extreme nature. This record album featured the birdcall "Capone," which introduced Akshen's neuter self, a title he would keep from that point onward. The ensuing disceptation surrounding the group's debut lay the Geto Boys on the map and set the stage for the impressive We Can't Be Stopped (1991). In the wake of the group's national achiever came solo albums, one of which existence Scarface's debut, Mr. Scarface Is Back (1991). The record album made it evident world Health Organization the group's to the highest degree gifted fellow member was, and the clap showered on Scarface resulted in bitter tensions among his fellow Geto Boys: Bushwick Bill and Willie D. By the time Scarface returned with his follow-up album, The World Is Yours (1993), his reputation overshadowed that of his group's. Willie D consequently gone, and the Geto Boys never over again rivaled We Can't Be Stopped, cathartic lukewarm, albeit popular, efforts with a new lineup earlier later reuniting in the late '90s. In the meanwhile, Scarface continued to funnel his efforts into extra solo efforts: The Diary (1994) and Unassailable (1997). He then released the double-disc My Homies (1998), a bloated crusade load up with guests, many of the South's leading rappers. It wasn't until 2000, though, that Scarface north Korean won square wonder from the greater tap community with Last of a Dying Breed (2000), his most personal and focused record album in years. As a resultant role, he was awarded Lyricist of the Year at the 2001 Source Awards and was offered a promising handle with Def Jam Records. The powerhouse East Coast mark wanted Scarface to helm its Def Jam South subsidiary company sectionalisation, and the knocker obliged, number 1 sign language Ludacris, world Health Organization became an overnight virtuoso, and then releasing his have album, The Fix (2002). Led by a Kayne West-produced quislingism with Jay-Z, "Guess Who's Back," it spawned a popular single, "My Block," and attracted far-flung bosom. Rap-a-Lot furthered Scarface's newfound coast-to-coast banker's acceptance with the rapper's first best-of ingathering, Superlative Hits (2002). In turn, he reunited with Willie D and Bushwick Bill and put together The Foundation (2005), another Geto Boys album. In 2006 he introduced his new crew, the Product, with the album One Hunid and released a bit intensity of My Homies. Also landing in 2006 was 2 Face, a assembling of tracks featuring Scarface and the belated 2Pac. |
Wednesday, 3 September 2008
Download Scarface mp3
Sunday, 24 August 2008
Mp3 music: Divination
 Artist: Divination: mp3 download Genre(s): Ambient Electronic Divination's discography:  Akasha: Ambient CD1 Year: 1995 Tracks: 4  Ambient Dub Volume II - Dead Slow Year: 1993 Tracks: 6 Divination is some other one of Bill Laswell's many projects, brought to lifespan to make a mixture of ambient and beat (nickname, house, jungle), simply after on a few releases, the spoken language rhythm aspect was left field away. Like many of Laswell's projects, Divination can't be seen as a stripe or a grouping; the lineup changes from album to album, and some of these ar regular collections. The first base album, Ambient Dub Volume I, was released on Subharmonic in 1993. Teaming up with Liu Sola, Jeff Bova, Nicky Skopelitis, Buckethead and Robert Musso, Laswell created a blend betwixt ethereal ambience and potent house rhythms. The followup, Ambient Dub Volume II: Dead Slow, was released a year later, this time with Bova, Jah Wobble and Mick Harris on board. The record album was darker, heavier on ambiance and the rhythms were more quiet. Both discs were released in a two-CD define highborn Light in Extension, which featured iI additional tracks; it was issued by Stoned Heights/4th & Broadway the same year in the U.K. only. In 1995, Akasha was released. The two-CD go down features one ambient disk (featuring one track each by Laswell, Haruomi Hosono, Anton Fier and M.J. Harris) which is selfsame light and gossamer in tone, and one spaced-out calendar method magnetic disc, which mixes the ambience with jungle and drum n'bass rhythms. Two tracks were done by Laswell with DXT, and one was created by Hosono (with considerable stimulant by Laswell). After the break 'tween Laswell and Subharmonic owner John Matarazzo, the 1996 two-CD go down Distil was released on SubMeta. Now concentrating solely on the ambience, the album was in fact a collection (though non of antecedently released material) of eight-spot tracks, done by eight-spot different ambient artists: Paul Schutze, Pete Namlook, Hosono, Mick Harris, Thomas Koner, Anton Fier, Tetsu Inoue and Laswell. Two age by and by, the Divination story got another turn with the release of Forfeit on Meta, which presented a reflective soundscape created by Laswell and electric zithern histrion Laraaji. By now, Laswell seems to have turned the Divination project into an ambient outfit, only still it's out of the question to tell what the next album will be like. |
Thursday, 14 August 2008
Charts: Mamma Mia Said Knock You Out
It's self-aggrandizing Mamma's house on the charts.
With no monster debuts this week, it became a conflict of the holdovers, and the Mamma Mia! soundtrack rose to the top by really losing the least. Miley Cyrus and Sugarland sales skidded 37 and 47 percent respectively between weeks, but the ABBA-charged Mamma Mia! swayback just 5 percent on its way to its first chart crown.
Mamma Mia! ruled the week terminated Sunday by selling another 131,000 copies, per Nielsen SoundScan. The five-week-old soundtrack has sold 576,000 total copies to date, and as of Monday, the film topped $104 million at the box office after originally scoring the biggest curtain raising weekend always for a musical.
Mamma Mia! is the second soundtrack to top the charts this twelvemonth, following Juno's rise to No. 1 last January. In contrast, Dreamgirls was the only film soundtrack to top the charts in '07, and it earned the dubious distinction of stretch No. 1 on the fewest number of copies (just 60,000) in the SoundScan-era.
Among the other recent chart toppers, Cyrus' Breakout held tight at No. 2 on 102,000 copies, while Sugarland's Love on the Inside fell to No. 3 on 91,000 discs.
Leading the week's new debuts, R&B crooner Lloyd sold 51,000 copies of Lessons in Love for a No. 7 bow. Comparatively public speaking, it's the Big Easy singer world Health Organization got schooled considering last year's Street Love scored a more robust No. 2 debut on gross,000 copies.
While Lloyd might need a new lesson plan, the week's other top 10 bow must endure the one-trick crib tag. Heidi Newfield, erstwhile singer for Trick Pony, opened at No. 10, selling 34,000 copies of her solo debut What Am I Waiting For.
New debuts aside, Rihanna's Good Girl Gone Bad is doing wickedly good as the only top of the inning 10 record album on the rise. Thanks to her hit singles "Take a Bow" and "Disturbia," the disc jumped three musca volitans to No. 9, up 28 percentage on 44,000 copies.
Just outside the top 10, Keith Anderson sold 32,000 copies of C'Mon! for a career-high No. 12 curtain call. Conor Oberst's eponymous solo debut sold 29,000 copies, giving the Bright Eyes vocalizer a No. 15 bow, and Trapt's Only Through the Pain followed at No. 18 selling 25,000 copies.
Other notable debuts included Hawthorne Heights' Fragile Future at No. 23, Jamey Johnson's That Lonesome Song at No. 28, Norma Jean's Norma Jean vs. the Anti Mother at No. 29, Randy Newman's Harps and Angels at No. 30 and Grammy-winning comedian Lewis Black at No. 64 with Anticipation.
John Mayer also deserves a honorable mention this week as his 2006 record album Continuum celebrates its 100th week on the Billboard 200. The album sits at No. 82 for its birthday week with over 2.2 1000000 copies sold to date.
Meanwhile, on the digital tracks chart, the Jonas Brothers scored another huge debut with "A Little Big Longer" merchandising 131,000 copies at No. 2. The tween sensations too scored a No. 2 bow the week previous with "Tonight" selling virtually the exact same amount of downloads ("Tonight" sold 299 more copies, to be exact).
Overall, album gross sales are depressed nearly 3 percent from last week and down 11 percent compared to the same week in �07, when UGK's Underground Kingz topped the chart.
To recap, the top 10 albums ar as follows:
Mamma Mia! soundtrack, various
Breakout, Miley Cyrus
Love on the Inside, Sugarland
Rock N Roll Jesus, Kid Rock
Tha Carter III, Lil Wayne
Viva La Vida, Coldplay
Lessons in Love, Lloyd
Camp Rock soundtrack, various
Good Girl Gone Bad, Rihanna
What Am I Waiting For, Heidi Newfield
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Wednesday, 6 August 2008
David Byrne reveals expanded fall tour schedule
David Byrne [ ] has unveiled additional dates for a fall tour in reenforcement of his forthcoming quislingism with Brian Eno--the pair's first collaborationism in 27 years.
The trek, which volition feature Byrne and his band playacting music from the forthcoming album "Everything That Happens Will Happen Today" along with material from Eno-produced Talking Heads and Byrne solo albums, will kick back off Sept. 16 in Bethlehem, PA.
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The trek is presently set to hit more than than 35 cities and run into November. Dates are below.
"Everything That Happens," Byrne's outset recorded coaction with Eno since 1981's "My Life in the Bush of Ghosts," will be offered in both streaming and retail versions beginning Aug. 18 from the album's website, and a sampling song from the sic is currently available as a unfreeze download.
The idea of the album was conceived during Byrne's visit to Eno's studio after Nonesuch Records re-released "My Life in the Bush of Ghosts" in 2006, according to a press release.
"I recall Brian mentioning that he had a mountain of largely instrumental tracks he'd accumulated, and since, in his words, he 'hates writing words,' I suggested I have a go at writing some words and tunes over a few of them, and we interpret what happens," Byrne aforementioned in a statement.
"When we started this work, we started to think we were fashioning something like electronic gospel: a euphony where singing was the central event, but whose sonic landscapes were non the type normally associated with that way of singing," added Eno. "This thought tapped into my long love affair with gospel euphony which, curiously, was unwittingly initiated by David and the Talking Heads."
"The live shows will maybe seek to pass a course linking this new material with what we did 30 long time ago, a little bit anyway," Byrne said.
[Note: The following enlistment dates sustain been provided by artist and/or tour sources, world Health Organization verify its accuracy as of the publication time of this story. Changes may occur before go on sales agreement. Check with official creative person websites, ticketing sources and venues for late updates.]
September 200816 - Bethlehem, PA - Zoellner Arts Center17 - Baltimore, MD - Lyric18 - Newport News, VA - Ferguson Center for the Arts20 - Atlanta, GA - Chastain Park Amphitheater21 - Asheville, NC - Thomas Wolfe Auditorium22 - Nashville, TN - Ryman Auditorium23 - Memphis, TN - Orpheum Theatre25 - Austin, TX - Paramount26 - Austin, TX - Austin City Limits Festival28 - Albuquerque, NM - Kiva Auditorium30 - Phoenix, AZ - OrpheumOctober 20082 - San Diego, CA - Humphrey's Concerts by the Bay3 - Los Angeles, CA - Greek Theatre4 - Santa Barbara, CA - Arlington Theater6 - San Francisco, CA - Davies Symphony Hall8 - Santa Rosa, CA - Wells Fargo Center For the Arts9 - Saratoga, CA - Mountain Winery11 - Park City, UT - Eccles Center for the Performing Arts12 - Denver, CO - Buell Theater14 - Minneapolis, MN - State Theatre15 - Milwaukee, WI - Pabst Theatre17 - Omaha, NE - Kiewit Concert Hall18 - St. Louis, MO - Fox Theatre19 - Kansas City, MO - Uptown Theatre21 - Louisville, KY - Louisville Palace Theater23 - Cleveland, OH - Allen Theatre24 - Ann Arbor, MI - Michigan Theatre25 - Indianapolis, IN - Clowes Memorial Hall26 - Chicago, IL - Chicago Opera House29 - Toronto, Ontario - Massey Hall30 - Montreal, Quebec - Metropolis31 - Boston, MA - Wang CenterNovember 20081 - Atlantic City, NJ - Borgata Spa Resort and Casino3 - Red Bank, NJ - Count Basie Theatre5 - Albany, NY - Empire State Plaza7 - Pittsburgh, PA - Carnegie Music Hall8 - Philadelphia, PA - Tower Theatre
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Friday, 27 June 2008
'I Have No Animosity For Lauren,' Says Heidi Montag
They may not be speaking to each other any more, but Heidi Montag says she has no hard feelings toward her ex-BFF, Lauren Conrad.
Heidi, the one-time sidekick to the Hills star, says that she still thinks her former roomie is a "great person", even though she forced her to choose between her best friend and her boyfriend.
"The truth is, I have no animosity," said the 21-year-old, appearing on The View this morning with the man in question, on-off beau, Spencer Pratt.
"I think Lauren is a great person and I am not that kind of person -- I don't hate somebody.
"I don't have feelings like that. I'm on a higher path."
When the hosts asked if she thought Lauren felt the same way, Heidi replied: "I don't know. I just try and be the best person I can.
"Obviously our friendship didn't work out because she was saying, 'you either have to choose your boyfriend or me.'
"And I was like, 'Well, I didn't like your boyfriend but I wouldn't do that to you -- I'm not that kind of friend.'"
The 21-year-old, who just released her latest single, Fashion, on Monday, also told the show why she decided to speak publicly about her boob and nose job last year.
"Well, for me it was just a life changing thing and, you know, I think a lot of people go through insecurities and I was teased through a lot of things my whole life," she said.
"Instead of speculation I wanted to give my side of it and why I did it."
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Thursday, 19 June 2008
Jason Bonham - Bonham Compares Led Zeppelin Reunion To World Cup Experience
Rocker JASON BONHAM has spoken of his joy at performing with legendary band LED ZEPPELIN - comparing it to scoring a string of winning goals at the soccer World Cup.
The drummer joined the band as a replacement for his late father John Bonham at an one-off London gig in December (07).
And although Bonham was impressed with his performance, he was initially scared of not living up to his father's talents.
He tells U.K. magazine Musician, "It was like the penalty shoot-out at the World Cup, but you're taking everyone. I had to shoot 16 times and get the goal every time.
"We all arrived separately and didn't communicate with each other until ten minutes before we went on. At that point I don't know what I was feeling. I was breathing deeply trying to keep calm. I knew I could do the gig, but could I do it when it counted?"
And the musician says his time on-stage with Robert Plant, Jimmy Page and John Paul Jones has left him eager for another reunion.
He adds, "It's hard to be in this situation where it was so good and now I'm left in limbo about what's going to happen next.
"I'm happy with what happened and if I ask for me it's me being greedy."
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Saturday, 14 June 2008
Fat Joe
Artist: Fat Joe
Genre(s):
Hip-Hop
Rap: Hip-Hop
Discography:
Jealous One's Envy
Year: 2004
Tracks: 18
Loyality
Year: 2002
Tracks: 14
Jealous Ones Still Envy (J.O.S.E.)
Year: 2001
Tracks: 18
Don Cartagena
Year: 1998
Tracks: 15
Represent
Year: 1993
Tracks: 14
Latino knocker Fat Joe (aka Fat Joe da Gangsta, Joey Crack, and his real name, Joe Cartagena) was raised in the South Bronx area of New York. It was through an sr. brother that Cartagena conditioned the slipway of the street, as well as discovering pat music via the sounds of such groundbreaking ceremony artists as Theodore, Funky 4 + 1, and the Furious Five. Eventually going by the name of Fat Joe, the knocker secured a transcription contract with the Relativity tag in the early '90s, resulting in the loss of his full-length debut, Represent, in 1993 (which spawned the single "Stream Joe," peaking at the number one spot on Billboard's Hot Rap Singles graph). Two days later, Fat Joe issued his sophomore effort, Green-eyed One's Envy, which included a cameo show by KRS-One as well as production contributions by the likes of DJ Premier, L.E.S., and Domingo. Around the same time, Fat Joe appeared on LL Cool J's large strike "I Shot Ya" (along with Foxy Brown and Keith Murray) and collaborated with Wu-Tang Clan's Raekwon on a track from the "Enviousness" single, called "Firewater." By the late '90s, Fat Joe had switched record labels (signing on with Atlantic) and tried his hand at other unmusical career ventures such as opening a article of clothing storehouse called Fat Joe's Halftime, a barber shop, and a fashion line, FJ560. In summation, he signed a production and distribution deal with Atlantic Records and Mystic Entertainment (which he ran with a partner named Big Greg). 1998 power saw the dismission of Fat Joe's debut for Atlantic, Don Cartagena, which featured cameo appearances by the likes of Puff Daddy, Nas, Raekwon, Big Pun, and Jadakiss (the LOX), following it up in 2001 with Jealous Ones Still Envy (J.O.S.E.), which included contributions from Ludacris, Petey Pablo, M.O.P., R. Kelly, and Remy. Loyalty followed in 2002, and All or Nothing arrived trey years after that. The natural Me, Myself and I from 2006 ground the rapper on his have Terror Squad depression, which was distributed by EMI.
Alicia Keys performs at Rosemont: Photos
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