Download Scarface mp3

Artist: Scarface: mp3 download    Genre(s):  Rap: Hip-Hop Other     Discography:      Made    Year: 2007    Tracks: 12      My Homies Part 2    Year: 2006    Tracks: 11      Balls and My Word    Year: 2003    Tracks: 14      The Fix    Year: 2002    Tracks: 13      Greatest Hits    Year: 2002    Tracks: 18      Last Of A Dying Breed    Year: 2000    Tracks: 15      My Homies    Year: 1998    Tracks: 15      The World is Yours    Year: 1993    Tracks: 17      Mr. Scarface Is Back    Year: 1991    Tracks: 12      The Untouchable    Year:     Tracks: 15 Scarface rapidly became the South's to the highest degree admired doorknocker and remained so passim the '90s after breaking forth from the Geto Boys to arrange up his solo career in 1991. Even if he never scored any national hits or stormed up the charts with any of his horde albums end-to-end the '90s, no one could dubiousness his clout passim the South. He fundamentally defined what it meant to be a Southern hoodlum doorknocker years ahead anyone regular coined the term Dirty South. This became glaringly discernible in the late '90s when a massive moving ridge of danton True Young MCs arose from Houston, New Orleans, and Memphis emulating his tendency of hardened, ghetto-bred, straight-up hard-core rapping. Besides share as the father-God of Southern strong-armer strike, it seemed as if every hard-core doorknocker wanted to aline himself with Scarface during the '90s -- everyone from Ice Cube and Dr. Dre to 2Pac and Master P collaborated with the previous Geto Boy -- all in an attack to foster believability among the loyal Southern rap consultation. Yet condescension his authentic influence, Scarface ne'er crossed over to mainstream success. His albums were ofttimes plagued with filler, his lyrics were plainly alike rough for wireless, and his devotion to producer Mike Dean lED to a stagnant, albeit earmark, legal. Still, likely because Scarface ne'er crossed all over and remained aligned to the streets, his influence ne'er waned, fashioning him one of the few veterans able to keep up in the here-today, gone-tomorrow rap game. In the early 2000s, Def Jam Records rewarded his staying index with a moneymaking concentrate, a wealth of industry connections, and a powerful merchandising expect on. Scarface accordingly enjoyed the most successful album of his life history, The Fix (2002), and a revival of interest in his back catalog, which his sometime judge, Rap-a-Lot, repackaged that same year on Sterling Hits. Before Brad Jordan (born November 9, 1970) became known as Scarface, he called himself Akshen. As such, he began his strike career first gear as a solo creative person in his native Houston during the mid-'80s for James Smith's then-fledging Rap-a-Lot label. Smith was trying to launch a group he labeled the Geto Boys, and he eventually asked Akshen to connect the radical in the late '80s. The Geto Boys' second album (and first base to feature Scarface) -- Traction It! On That Other Level (1990), later repackaged and re-released that same class just as The Geto Boys -- appalled many with its intense depictions of violence and its boilers suit extreme nature. This record album featured the birdcall "Capone," which introduced Akshen's neuter self, a title he would keep from that point onward. The ensuing disceptation surrounding the group's debut lay the Geto Boys on the map and set the stage for the impressive We Can't Be Stopped (1991). In the wake of the group's national achiever came solo albums, one of which existence Scarface's debut, Mr. Scarface Is Back (1991). The record album made it evident world Health Organization the group's to the highest degree gifted fellow member was, and the clap showered on Scarface resulted in bitter tensions among his fellow Geto Boys: Bushwick Bill and Willie D. By the time Scarface returned with his follow-up album, The World Is Yours (1993), his reputation overshadowed that of his group's. Willie D consequently gone, and the Geto Boys never over again rivaled We Can't Be Stopped, cathartic lukewarm, albeit popular, efforts with a new lineup earlier later reuniting in the late '90s. In the meanwhile, Scarface continued to funnel his efforts into extra solo efforts: The Diary (1994) and Unassailable (1997). He then released the double-disc My Homies (1998), a bloated crusade load up with guests, many of the South's leading rappers. It wasn't until 2000, though, that Scarface north Korean won square wonder from the greater tap community with Last of a Dying Breed (2000), his most personal and focused record album in years. As a resultant role, he was awarded Lyricist of the Year at the 2001 Source Awards and was offered a promising handle with Def Jam Records. The powerhouse East Coast mark wanted Scarface to helm its Def Jam South subsidiary company sectionalisation, and the knocker obliged, number 1 sign language Ludacris, world Health Organization became an overnight virtuoso, and then releasing his have album, The Fix (2002). Led by a Kayne West-produced quislingism with Jay-Z, "Guess Who's Back," it spawned a popular single, "My Block," and attracted far-flung bosom. Rap-a-Lot furthered Scarface's newfound coast-to-coast banker's acceptance with the rapper's first best-of ingathering, Superlative Hits (2002). In turn, he reunited with Willie D and Bushwick Bill and put together The Foundation (2005), another Geto Boys album. In 2006 he introduced his new crew, the Product, with the album One Hunid and released a bit intensity of My Homies. Also landing in 2006 was 2 Face, a assembling of tracks featuring Scarface and the belated 2Pac.

Mp3 music: Divination

Artist: Divination: mp3 download    Genre(s):  Ambient Electronic     Divination's discography:      Akasha: Ambient CD1    Year: 1995    Tracks: 4      Ambient Dub Volume II - Dead Slow    Year: 1993    Tracks: 6 Divination is some other one of Bill Laswell's many projects, brought to lifespan to make a mixture of ambient and beat (nickname, house, jungle), simply after on a few releases, the spoken language rhythm aspect was left field away. Like many of Laswell's projects, Divination can't be seen as a stripe or a grouping; the lineup changes from album to album, and some of these ar regular collections. The first base album, Ambient Dub Volume I, was released on Subharmonic in 1993. Teaming up with Liu Sola, Jeff Bova, Nicky Skopelitis, Buckethead and Robert Musso, Laswell created a blend betwixt ethereal ambience and potent house rhythms. The followup, Ambient Dub Volume II: Dead Slow, was released a year later, this time with Bova, Jah Wobble and Mick Harris on board. The record album was darker, heavier on ambiance and the rhythms were more quiet. Both discs were released in a two-CD define highborn Light in Extension, which featured iI additional tracks; it was issued by Stoned Heights/4th & Broadway the same year in the U.K. only. In 1995, Akasha was released. The two-CD go down features one ambient disk (featuring one track each by Laswell, Haruomi Hosono, Anton Fier and M.J. Harris) which is selfsame light and gossamer in tone, and one spaced-out calendar method magnetic disc, which mixes the ambience with jungle and drum n'bass rhythms. Two tracks were done by Laswell with DXT, and one was created by Hosono (with considerable stimulant by Laswell). After the break 'tween Laswell and Subharmonic owner John Matarazzo, the 1996 two-CD go down Distil was released on SubMeta. Now concentrating solely on the ambience, the album was in fact a collection (though non of antecedently released material) of eight-spot tracks, done by eight-spot different ambient artists: Paul Schutze, Pete Namlook, Hosono, Mick Harris, Thomas Koner, Anton Fier, Tetsu Inoue and Laswell. Two age by and by, the Divination story got another turn with the release of Forfeit on Meta, which presented a reflective soundscape created by Laswell and electric zithern histrion Laraaji. By now, Laswell seems to have turned the Divination project into an ambient outfit, only still it's out of the question to tell what the next album will be like.

Charts: Mamma Mia Said Knock You Out

It's self-aggrandizing Mamma's house on the charts.

With no monster debuts this week, it became a conflict of the holdovers, and the Mamma Mia! soundtrack rose to the top by really losing the least. Miley Cyrus and Sugarland sales skidded 37 and 47 percent respectively between weeks, but the ABBA-charged Mamma Mia! swayback just 5 percent on its way to its first chart crown.

Mamma Mia! ruled the week terminated Sunday by selling another 131,000 copies, per Nielsen SoundScan. The five-week-old soundtrack has sold 576,000 total copies to date, and as of Monday, the film topped $104 million at the box office after originally scoring the biggest curtain raising weekend always for a musical.

Mamma Mia! is the second soundtrack to top the charts this twelvemonth, following Juno's rise to No. 1 last January. In contrast, Dreamgirls was the only film soundtrack to top the charts in '07, and it earned the dubious distinction of stretch No. 1 on the fewest number of copies (just 60,000) in the SoundScan-era.

Among the other recent chart toppers, Cyrus' Breakout held tight at No. 2 on 102,000 copies, while Sugarland's Love on the Inside fell to No. 3 on 91,000 discs.

Leading the week's new debuts, R&B crooner Lloyd sold 51,000 copies of Lessons in Love for a No. 7 bow. Comparatively public speaking, it's the Big Easy singer world Health Organization got schooled considering last year's Street Love scored a more robust No. 2 debut on gross,000 copies.

While Lloyd might need a new lesson plan, the week's other top 10 bow must endure the one-trick crib tag. Heidi Newfield, erstwhile singer for Trick Pony, opened at No. 10, selling 34,000 copies of her solo debut What Am I Waiting For.

New debuts aside, Rihanna's Good Girl Gone Bad is doing wickedly good as the only top of the inning 10 record album on the rise. Thanks to her hit singles "Take a Bow" and "Disturbia," the disc jumped three musca volitans to No. 9, up 28 percentage on 44,000 copies.

Just outside the top 10, Keith Anderson sold 32,000 copies of C'Mon! for a career-high No. 12 curtain call. Conor Oberst's eponymous solo debut sold 29,000 copies, giving the Bright Eyes vocalizer a No. 15 bow, and Trapt's Only Through the Pain followed at No. 18 selling 25,000 copies.

Other notable debuts included Hawthorne Heights' Fragile Future at No. 23, Jamey Johnson's That Lonesome Song at No. 28, Norma Jean's Norma Jean vs. the Anti Mother at No. 29, Randy Newman's Harps and Angels at No. 30 and Grammy-winning comedian Lewis Black at No. 64 with Anticipation.

John Mayer also deserves a honorable mention this week as his 2006 record album Continuum celebrates its 100th week on the Billboard 200. The album sits at No. 82 for its birthday week with over 2.2 1000000 copies sold to date.

Meanwhile, on the digital tracks chart, the Jonas Brothers scored another huge debut with "A Little Big Longer" merchandising 131,000 copies at No. 2. The tween sensations too scored a No. 2 bow the week previous with "Tonight" selling virtually the exact same amount of downloads ("Tonight" sold 299 more copies, to be exact).

Overall, album gross sales are depressed nearly 3 percent from last week and down 11 percent compared to the same week in �07, when UGK's Underground Kingz topped the chart.

To recap, the top 10 albums ar as follows:

Mamma Mia! soundtrack, various


Breakout, Miley Cyrus

Love on the Inside, Sugarland

Rock N Roll Jesus, Kid Rock


Tha Carter III, Lil Wayne

Viva La Vida, Coldplay

Lessons in Love, Lloyd

Camp Rock soundtrack, various

Good Girl Gone Bad, Rihanna

What Am I Waiting For, Heidi Newfield



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David Byrne reveals expanded fall tour schedule

David Byrne [ ] has unveiled additional dates for a fall tour in reenforcement of his forthcoming quislingism with Brian Eno--the pair's first collaborationism in 27 years.

The trek, which volition feature Byrne and his band playacting music from the forthcoming album "Everything That Happens Will Happen Today" along with material from Eno-produced Talking Heads and Byrne solo albums, will kick back off Sept. 16 in Bethlehem, PA.

story_top_holder>

The trek is presently set to hit more than than 35 cities and run into November. Dates are below.

"Everything That Happens," Byrne's outset recorded coaction with Eno since 1981's "My Life in the Bush of Ghosts," will be offered in both streaming and retail versions beginning Aug. 18 from the album's website, and a sampling song from the sic is currently available as a unfreeze download.

The idea of the album was conceived during Byrne's visit to Eno's studio after Nonesuch Records re-released "My Life in the Bush of Ghosts" in 2006, according to a press release.

"I recall Brian mentioning that he had a mountain of largely instrumental tracks he'd accumulated, and since, in his words, he 'hates writing words,' I suggested I have a go at writing some words and tunes over a few of them, and we interpret what happens," Byrne aforementioned in a statement.

"When we started this work, we started to think we were fashioning something like electronic gospel: a euphony where singing was the central event, but whose sonic landscapes were non the type normally associated with that way of singing," added Eno. "This thought tapped into my long love affair with gospel euphony which, curiously, was unwittingly initiated by David and the Talking Heads."

"The live shows will maybe seek to pass a course linking this new material with what we did 30 long time ago, a little bit anyway," Byrne said.


[Note: The following enlistment dates sustain been provided by artist and/or tour sources, world Health Organization verify its accuracy as of the publication time of this story. Changes may occur before go on sales agreement. Check with official creative person websites, ticketing sources and venues for late updates.]

September 200816 - Bethlehem, PA - Zoellner Arts Center17 - Baltimore, MD - Lyric18 - Newport News, VA - Ferguson Center for the Arts20 - Atlanta, GA - Chastain Park Amphitheater21 - Asheville, NC - Thomas Wolfe Auditorium22 - Nashville, TN - Ryman Auditorium23 - Memphis, TN - Orpheum Theatre25 - Austin, TX - Paramount26 - Austin, TX - Austin City Limits Festival28 - Albuquerque, NM - Kiva Auditorium30 - Phoenix, AZ - OrpheumOctober 20082 - San Diego, CA - Humphrey's Concerts by the Bay3 - Los Angeles, CA - Greek Theatre4 - Santa Barbara, CA - Arlington Theater6 - San Francisco, CA - Davies Symphony Hall8 - Santa Rosa, CA - Wells Fargo Center For the Arts9 - Saratoga, CA - Mountain Winery11 - Park City, UT - Eccles Center for the Performing Arts12 - Denver, CO - Buell Theater14 - Minneapolis, MN - State Theatre15 - Milwaukee, WI - Pabst Theatre17 - Omaha, NE - Kiewit Concert Hall18 - St. Louis, MO - Fox Theatre19 - Kansas City, MO - Uptown Theatre21 - Louisville, KY - Louisville Palace Theater23 - Cleveland, OH - Allen Theatre24 - Ann Arbor, MI - Michigan Theatre25 - Indianapolis, IN - Clowes Memorial Hall26 - Chicago, IL - Chicago Opera House29 - Toronto, Ontario - Massey Hall30 - Montreal, Quebec - Metropolis31 - Boston, MA - Wang CenterNovember 20081 - Atlantic City, NJ - Borgata Spa Resort and Casino3 - Red Bank, NJ - Count Basie Theatre5 - Albany, NY - Empire State Plaza7 - Pittsburgh, PA - Carnegie Music Hall8 - Philadelphia, PA - Tower Theatre

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'I Have No Animosity For Lauren,' Says Heidi Montag

They may not be speaking to each other any more, but Heidi Montag says she has no hard feelings toward her ex-BFF, Lauren Conrad.

Heidi, the one-time sidekick to the Hills star, says that she still thinks her former roomie is a "great person", even though she forced her to choose between her best friend and her boyfriend.

"The truth is, I have no animosity," said the 21-year-old, appearing on The View this morning with the man in question, on-off beau, Spencer Pratt.

"I think Lauren is a great person and I am not that kind of person -- I don't hate somebody.

"I don't have feelings like that. I'm on a higher path."

When the hosts asked if she thought Lauren felt the same way, Heidi replied: "I don't know. I just try and be the best person I can.

"Obviously our friendship didn't work out because she was saying, 'you either have to choose your boyfriend or me.'

"And I was like, 'Well, I didn't like your boyfriend but I wouldn't do that to you -- I'm not that kind of friend.'"

The 21-year-old, who just released her latest single, Fashion, on Monday, also told the show why she decided to speak publicly about her boob and nose job last year.

"Well, for me it was just a life changing thing and, you know, I think a lot of people go through insecurities and I was teased through a lot of things my whole life," she said.

"Instead of speculation I wanted to give my side of it and why I did it."




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Jason Bonham - Bonham Compares Led Zeppelin Reunion To World Cup Experience

Rocker JASON BONHAM has spoken of his joy at performing with legendary band LED ZEPPELIN - comparing it to scoring a string of winning goals at the soccer World Cup.

The drummer joined the band as a replacement for his late father John Bonham at an one-off London gig in December (07).

And although Bonham was impressed with his performance, he was initially scared of not living up to his father's talents.

He tells U.K. magazine Musician, "It was like the penalty shoot-out at the World Cup, but you're taking everyone. I had to shoot 16 times and get the goal every time.

"We all arrived separately and didn't communicate with each other until ten minutes before we went on. At that point I don't know what I was feeling. I was breathing deeply trying to keep calm. I knew I could do the gig, but could I do it when it counted?"

And the musician says his time on-stage with Robert Plant, Jimmy Page and John Paul Jones has left him eager for another reunion.

He adds, "It's hard to be in this situation where it was so good and now I'm left in limbo about what's going to happen next.

"I'm happy with what happened and if I ask for me it's me being greedy."

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Fat Joe

   
Artist: Fat Joe

   Genre(s): 
Hip-Hop
   Rap: Hip-Hop
   

---

Discography:


   
 Jealous One's Envy

   Year: 2004   
Tracks: 18


   
 Loyality

   Year: 2002   
Tracks: 14


   
 Jealous Ones Still Envy (J.O.S.E.)

   Year: 2001   
Tracks: 18


   
 Don Cartagena

   Year: 1998   
Tracks: 15


   
 Represent

   Year: 1993   
Tracks: 14

---

Latino knocker Fat Joe (aka Fat Joe da Gangsta, Joey Crack, and his real name, Joe Cartagena) was raised in the South Bronx area of New York. It was through an sr. brother that Cartagena conditioned the slipway of the street, as well as discovering pat music via the sounds of such groundbreaking ceremony artists as Theodore, Funky 4 + 1, and the Furious Five. Eventually going by the name of Fat Joe, the knocker secured a transcription contract with the Relativity tag in the early '90s, resulting in the loss of his full-length debut, Represent, in 1993 (which spawned the single "Stream Joe," peaking at the number one spot on Billboard's Hot Rap Singles graph). Two days later, Fat Joe issued his sophomore effort, Green-eyed One's Envy, which included a cameo show by KRS-One as well as production contributions by the likes of DJ Premier, L.E.S., and Domingo. Around the same time, Fat Joe appeared on LL Cool J's large strike "I Shot Ya" (along with Foxy Brown and Keith Murray) and collaborated with Wu-Tang Clan's Raekwon on a track from the "Enviousness" single, called "Firewater." By the late '90s, Fat Joe had switched record labels (signing on with Atlantic) and tried his hand at other unmusical career ventures such as opening a article of clothing storehouse called Fat Joe's Halftime, a barber shop, and a fashion line, FJ560. In summation, he signed a production and distribution deal with Atlantic Records and Mystic Entertainment (which he ran with a partner named Big Greg). 1998 power saw the dismission of Fat Joe's debut for Atlantic, Don Cartagena, which featured cameo appearances by the likes of Puff Daddy, Nas, Raekwon, Big Pun, and Jadakiss (the LOX), following it up in 2001 with Jealous Ones Still Envy (J.O.S.E.), which included contributions from Ludacris, Petey Pablo, M.O.P., R. Kelly, and Remy. Loyalty followed in 2002, and All or Nothing arrived trey years after that. The natural Me, Myself and I from 2006 ground the rapper on his have Terror Squad depression, which was distributed by EMI.





Alicia Keys performs at Rosemont: Photos

King Sunny Ade

   
Artist: King Sunny Ade

   Genre(s): 
Other
   

---

Discography:


   
 Juju Music

   Year: 1982   
Tracks: 7

---

King Sunny Ade is the unchallenged martin Luther King of juju music, the dance-inspiring hybrid of westerly pop and traditional African music with roots in the guitar custom of Nigeria. Although he's yet to be the success that he enjoyed with his early-1980s albums and American tours, Ade and his banding, His African Beats, continue to interweave an infectious portmanteau of electric guitars, synthesizers and multi-layered percussion. Born to a syndicate of Nigerian royalty, Ade leftfield schooltime to prosecute a career in music. In the mid-1960s, he performed with a Highlife banding, Moses Olaiya's Federal Rhythm Dandies. Ade formed his have stria, The Green Spots, in 1967. Frustrated by the exploitation of the record industry, Ade launched his have record label in 1974. In the two and a half decades since, the label has released more than one c of Ade's recordings in Nigeria. Ade began to draw attending in the western world when triad of his albums -- Hoodoo Music, Selsyn System and Aura -- were released in the early-1980s on the Mango label, a foot soldier of Island Records. Ade and His African Beats made their debut American performances to enthusiastic crowds in 1983. Although Juju Music and Selsyn System showed signs that Ade was departure up to live up to charge as "the African Bob Marley," Aura was a commercial disappointment and the chemical group was dropped by Island Records. While they released an album, Authority, in 1990, it excessively failed to stir much commercial interest. E Dide (Experience Up), released in 1995, offered hints that the topper days of Ade and His African Beats ar so far to descend. The chemical group followed it with Odu, a collection of ancient Nigerian songs, in 1998; the album was nominated for a Grammy. Its followup, 7 Degrees North, appeared in 2000. Ade has remained a powerful strength in Nigeria. Money received from his early albums has been secondhand to launch an oil unshakable, a mining company, a cabaret, plastic film and video yield companionship, a PR unfluctuating and a record label specializing in recordings by African artists. It's been estimated than more than 7 c people are employed by Ade's companies. In the mid-1990s, Ade founded the King Sunny Ade Foundation, an organisation that includes a playacting liberal arts centre, state of the art recording studio and housing for loretta Young musicians and performers on a quintuplet acre tract donated by the Lagos state government. Ade currently serves as chair of the Musical Copyright Society of Nigeria. In 1996, Ade formed a "supergroup", The Way Forward, featuring crack Nigerian musicians. Ade and His African Beats make been featured in tercet films -- Juju Music in 1988, Lively At Montreux in 1990 and Roots of Rhythm in 1997.

Fourth Bourne film still a possibility

Actor Matt Damon and director Paul Greengrass have been discussing whether there will be a follow-up to 'The Bourne Ultimatum'.
Speaking to Empire magazine at the Empire Awards about the speculation regarding a fourth film, Damon said: "I think it's one of these stories that has a life of its own. Not that we're against it, we're all for doing a fourth movie but it means coming up with a good story. There are a lot of things that would have to happen before we would sign up for it."
Reacting to Damon's response, Greengrass said: "He says yes? It's news to me. I think the truth is that it's a very well loved franchise, but we're in the process of trying to work out what kind of film you could make."
He continued: "If there is one, what would it be? How it could go? Without any pressure; without any commitment to it, but everybody loved the franchise. We love it, but none of us would want to go again unless we're sure there's a worthwhile film and that could take some time. You don't want to do that when you feel like you've got to make it and none of us need to, so that's where we are".

Jim's Voice Doesn't Carrey Over Loud Chick

Rubber face Jim Carrey and girlfriend Jenny McCarthy put on yet another event for Autism yesterday in Washington, D.C. - this time to rid vaccines of bad toxins. Finally, someone who's taking a stand against immunizations.

Normally J.C. would be the loudest voice at a rally, however this woman with the megaphone didn't even give Jim or his ass a chance to speak. She was neither nice nor polite, but at least she wasn't funny.



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Madness

   
Artist: Madness

   Genre(s): 
Alternative
   Punk
   Ska
   Rock: Punk-Rock
   New Age
   

---

Discography:


   
 The Dangermen Sessions, Vol. 1

   Year: 2005   
Tracks: 13


   
 Wonderful

   Year: 2000   
Tracks: 11


   
 It's Madness Too

   Year: 1999   
Tracks: 16


   
 The Harder They Come

   Year: 1992   
Tracks: 4


   
 Divine Madness

   Year: 1992   
Tracks: 22


   
 The Madness

   Year: 1988   
Tracks: 14


   
 Utter Madness

   Year: 1986   
Tracks: 14


   
 Mad Not Mad

   Year: 1985   
Tracks: 10


   
 Keep Moving

   Year: 1984   
Tracks: 12


   
 It's...

   Year: 1984   
Tracks: 16


   
 The Rise and Fall

   Year: 1982   
Tracks: 13


   
 Seven

   Year: 1981   
Tracks: 13


   
 7

   Year: 1981   
Tracks: 13


   
 Absolutely

   Year: 1980   
Tracks: 14


   
 One Step Beyond

   Year: 1979   
Tracks: 15


   
 Our House: The Best Of

   Year:    
Tracks: 21

---

Along with the Specials, Madness were one of the preeminent bands of the ska revival meeting of the later '70s and early '80s. As their calling progressed, Madness forficate away from their trademark "nutlike sound" and merged great elements of Motown, individual, and British pop up. Although the band managed one crossover American hit in 1983, the band remained a British phenomenon, influencing respective sequential generations of musicians and decent i of the most dear groups the country produced during the '80s.


The origins of Madness lie in a ska group known as the Invaders, which was formed by Mike Barson, Chris Foreman, and Lee Thompson in 1976. By 1978, the band had changed their identify to Morris and the Minors and had added Graham "Suggs" McPherson, Mark Bedford, Chas Smash, and Dan Woodgate to the grouping. Later in 1978, they changed their name to Madness, in homage to one of their deary Prince Buster songs. The undermentioned year, Madness released their debut single, a tribute to Prince Buster entitled "The Prince," on Two-Tone. The vocal was a surprise success, reach the British Top 20. Following its success, the band sign a record compress with Stiff Records and released some other Prince Buster vocal, "One Step Beyond," which climbed to number seven.


Foolishness promptly recorded their debut album, likewise coroneted One Step Beyond, with producers Clive Langer and Alan Winstanley. Released toward the end of the year, the album unwell at number iI in Britain and it stayed on the charts for well over a year. At the rootage of 1980, the band's tierce single, "My Girl," peaked at number three. For the side by side deuce-ace years, the chemical group had a virtually continuous run of 13 Top Ten singles, during which time they were one of the most democratic bands in Britain, rivaled only by the Jam in damage of widespread popularity. Where the Jam appealed to teenagers and young adults, Madness had a broad fan base, stretch from children to the aged. Which didn't mean their euphony was dilute -- they continued to expand their sound, both musically and lyrically.


In the spring of 1980, Madness released the Work Rest and Play EP, which reached number six on the intensity of the EP's lead vocal, "Night Boat to Cairo." Also during the spring, Ane Step Beyond was released in the United States, where it peaked at 128. Madness' second record album, Absolutely, was released in the fall of 1980. The record seedy at number deuce on the British charts, only it stalled at number 146, in the U.S. Sire dropped the stripe later on the commercial-grade letdown of Absolutely, departure Madness without an American record get for several years.


Bet on in England, Madness continued to gain momentum, as the chemical group began playing matinee shows on their tours so children under 16 years old could wait on the concert. In the fall of 1981, the striation released their third record album, 7, which peaked at numeral five. In January of 1982, Madness attain number four with a cover of Labi Siffre's "It Must Be Love." In March, their streak of Top Ten hits was off-and-on when "Cardiac Arrest" stalled at number 14 on the charts, due to radio's indisposition to act as the melody. The stripe bounced punt a few months later with "House of Fun," their number 1 number one single. That same month, the hits compiling, Complete Madness, reached number ane.


Foolishness returned in the late summer of 1982 with The Rise and Fall, their full-fledged shift to pop. Like their previous albums, it was a British attain, stretch the Top Ten, only it also contained the seeds of their brief American success with the Top Five British unmarried "Our House." The unmarried was released in America on the group's new mark, Geffen, and it received heavy airplay from MTV. The music-video television network had antecedently played the videos for "House of Fun," "It Must Be Love," and "Cardiac Arrest" when the band's albums were unreleased in the United States, thereby scene the microscope stage for "Our House" to become a massive hit. With "Our House," Madness had MTV exposure cooccur with a record firing for the first time, which sent the single into the American Top Ten in the summer of 1983. The success of the single brought the U.S. compilation record album, Foolishness, to number 41. Madness managed one more than American Top 40 attain that fall, when "It Must Be Love" seedy at telephone number 33.


At the end of 1983, Mike Barson -- the band's samara songster -- left wing the group to settle down with his wife. Although Madness was able to stay on near the top of the charts with their low gear post-Barson tone ending, "Michael Caine," the band's fortunes began to decline o'er the course of 1984. Upon its release in the spring, Keep Moving hit telephone number captain Hicks on the British charts; in America, the record reached telephone number 109. In June, the mathematical group released its last single for Stiff Records, "One Better Day," which seedy at telephone number 17. In the fall, Madness formed their have record tag, Zarjazz. Madness released "Yesterday's Men," their starting time transcription on Zarjazz, in September of 1985, well-nigh a twelvemonth later on the label's organization. The record indisposed at number 18 and its parent album, Harebrained Not Mad, reached number 16 upon its October release. Their chart refuse continued early in 1986, when their cover of Scritti Politti's "Sweetest Girl" seedy at telephone number 35. For well-nigh of 1986, the radical was restrained. In September, Madness proclaimed they were disbanding. Two months later, their word of farewell single, "Wait for the Ghost Train," was released, charting at number 18.


Later staying sleeping for a year and a half, the mathematical group reunited at the beginning of 1988 as a quartette called the Madness, releasing its rejoinder single, "I Pronounce You," in March. The Madness featured Chris Foreman, Lee Thompson, Chas Smash, and Suggs, and was augmented by the Specials' keyboardist Jerry Dammers and Steve Nieve (keyboards) and Bruce Thomas (basso) of the Attractions. "I Pronounce You" reached number 44 on the U.K. charts and its sequent record album stiffed upon its fountain discharge. The mathematical group disbanded for a second time that fall.


In the summer of 1992, the original lineup of Madness reunited to perform 2 outside concerts at London's Finsbury Park. The mathematical group dubbed the event Madstock and released a recording of the shows on Go! Records. Madstock became an annual event for the succeeding quaternary days -- every summer the banding would reunify and headline an outside festival at Finsbury Park. Suggs launched a solo calling in 1995 with The Lone Ranger, which performed creditably in the U.K. charts. In 1996, Madness played the last Madstock and proclaimed they planned non to reunite for future concerts, simply by 1998 they were back on the road, with a Los Angeles date recorded for release as Universal Madness the following twelvemonth. The mathematical group besides reunited with original producers Clive Langer and Alan Winstanley to record their first-class honours degree new corporeal in all over a 10. The resulting Dangermen Sessions, Vol 1 was released in 2005.





The Office star cast in Mendes new comedy

Tatum O'Neal: 'My Dog's Death Drove Me To Drugs'

Tatum O’Neal has blamed the death of her dog on the need to acquire drugs which resulted in her arrest on Sunday.

The former child star, who chronicled her recovery from a heroin addiction in her 2004 book A Paper Life, was caught by police after she was spotted by a narcotics team exchanging money with a man three blocks from her home in the Big Apple.

At the time of her arrest, O'Neal allegedly told cops she was "doing research" for a film role, but she has now changed her story, claiming the passing of her dog three weeks ago "set her off".

She tells the New York Post: "There's no excuse for what I did. (But) I lost my Scottish terrier, Lena. That seemed to set me off.

"She got old. She got cancer. She was the fabric of our family. We had to let her go to heaven. My daughter and I had to put her down. It was too horrible for words.

"I couldn't get out of it. I was going to my psychiatrist. I was doing everything I could do. I have the disease of alcoholism. It's lifelong. I treat it every day by going to my 12-step program."

And she has hailed the New York authorities for saving her from turning her back on her sobriety.

She adds: "I'm still sober! Just when I was about to change that and wreck my life, the cops came and saved me!

"I was saved by the bell, by the guys in the Seventh Precinct."

O'Neal has been charged with one misdemeanour charge of criminal possession of a controlled substance and is due in court on 28 July.

Phillippe finds ex-wife's new love 'bizarre'

Ryan Phillippe has reportedly said that he finds it "bizarre" to think about his ex-wife's new relationship.
The 33-year-old star told USA Today that he avoids looking at photographs of his former partner Reese Witherspoon with her new boyfriend Jake Gyllenhaal.
Phillippe said: "It's bizarre. There's plenty of times when I say, 'What a strange situation I've found myself in'. But at a certain point you know it's going to happen, so you are prepared."
When asked to comment on his own love life, the actor said: "It's just something I would really rather not address. It has to be a 'no comment'. "
Phillippe and Witherspoon, who have two children together, split in October 2006.

Thriller added to US National Recording Registry

Classic Michael Jackson album �??Thriller�?? was among twenty-five recordings added to the US National Recording Registry today (May 14), as part of the Library Of Congress�?? plan to preserve �??culturally, historically or aesthetically significant�?� recordings.

Herbie Hancock�??s �??Headhunters�??, as well as material from Roy Orbison, Smokey Robinson and Duke Ellington were also included in the registry as were the 1977 record of Earth sounds that flew aboard the spacecraft Voyager and Harry Truman's Democratic National Convention speech in 1948.

Navajo songs were also included this year, as were recordings of New York Mayor Fiorello LaGuardia reading comics aloud for a group of children in 1945, reports the Associated Press.

25 recordings are added to the registry each year, compiled
from a Library of Congress preservation board and online suggestions from the public.

--By our New York staff.
Find out more about NME.

Miley Invited to Add Lustra to Her Repertoire

If you can't beat 'em, join 'em. Or, use their star power to enhance your own name-recognition.

Figuring the kid didn't know any better, the L.A. band Lustra, which...

Study Bbc Pays Top Talent A Lot -- But Not Too Much

Some 40 TV and radio personalities who appear on BBC outlets earn more than $2 million
a year, according to an independent review by Oliver & Ohlbaum Associates and
reported in today's (Tuesday) London Independent. Among the performers, the
highest paid appears to be talk-show host Jonathan Ross, who receives $12 million a
year as part of a three-year deal. The report was commissioned to determine whether
the publicly supported BBC pays its talent more than commercial broadcasters do.
It concluded: "There is no evidence that the BBC is paying more than the market price for
leading TV talent. In some cases, it may well be paying less than the market price
for that talent."

03/06/2008

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