Study Bbc Pays Top Talent A Lot -- But Not Too Much & other: June 2008

Friday 27 June 2008

'I Have No Animosity For Lauren,' Says Heidi Montag

They may not be speaking to each other any more, but Heidi Montag says she has no hard feelings toward her ex-BFF, Lauren Conrad.

Heidi, the one-time sidekick to the Hills star, says that she still thinks her former roomie is a "great person", even though she forced her to choose between her best friend and her boyfriend.

"The truth is, I have no animosity," said the 21-year-old, appearing on The View this morning with the man in question, on-off beau, Spencer Pratt.

"I think Lauren is a great person and I am not that kind of person -- I don't hate somebody.

"I don't have feelings like that. I'm on a higher path."

When the hosts asked if she thought Lauren felt the same way, Heidi replied: "I don't know. I just try and be the best person I can.

"Obviously our friendship didn't work out because she was saying, 'you either have to choose your boyfriend or me.'

"And I was like, 'Well, I didn't like your boyfriend but I wouldn't do that to you -- I'm not that kind of friend.'"

The 21-year-old, who just released her latest single, Fashion, on Monday, also told the show why she decided to speak publicly about her boob and nose job last year.

"Well, for me it was just a life changing thing and, you know, I think a lot of people go through insecurities and I was teased through a lot of things my whole life," she said.

"Instead of speculation I wanted to give my side of it and why I did it."

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Thursday 19 June 2008

Jason Bonham - Bonham Compares Led Zeppelin Reunion To World Cup Experience

Rocker JASON BONHAM has spoken of his joy at performing with legendary band LED ZEPPELIN - comparing it to scoring a string of winning goals at the soccer World Cup.

The drummer joined the band as a replacement for his late father John Bonham at an one-off London gig in December (07).

And although Bonham was impressed with his performance, he was initially scared of not living up to his father's talents.

He tells U.K. magazine Musician, "It was like the penalty shoot-out at the World Cup, but you're taking everyone. I had to shoot 16 times and get the goal every time.

"We all arrived separately and didn't communicate with each other until ten minutes before we went on. At that point I don't know what I was feeling. I was breathing deeply trying to keep calm. I knew I could do the gig, but could I do it when it counted?"

And the musician says his time on-stage with Robert Plant, Jimmy Page and John Paul Jones has left him eager for another reunion.

He adds, "It's hard to be in this situation where it was so good and now I'm left in limbo about what's going to happen next.

"I'm happy with what happened and if I ask for me it's me being greedy."

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Saturday 14 June 2008

Fat Joe

Artist: Fat Joe

   Genre(s):
Hip-Hop
   Rap: Hip-Hop

Discography:

Jealous One's Envy

Year: 2004
Tracks: 18

Loyality

Year: 2002
Tracks: 14

Jealous Ones Still Envy (J.O.S.E.)

Year: 2001
Tracks: 18

Don Cartagena

Year: 1998
Tracks: 15

Represent

Year: 1993
Tracks: 14

Latino knocker Fat Joe (aka Fat Joe da Gangsta, Joey Crack, and his real name, Joe Cartagena) was raised in the South Bronx area of New York. It was through an sr. brother that Cartagena conditioned the slipway of the street, as well as discovering pat music via the sounds of such groundbreaking ceremony artists as Theodore, Funky 4 + 1, and the Furious Five. Eventually going by the name of Fat Joe, the knocker secured a transcription contract with the Relativity tag in the early '90s, resulting in the loss of his full-length debut, Represent, in 1993 (which spawned the single "Stream Joe," peaking at the number one spot on Billboard's Hot Rap Singles graph). Two days later, Fat Joe issued his sophomore effort, Green-eyed One's Envy, which included a cameo show by KRS-One as well as production contributions by the likes of DJ Premier, L.E.S., and Domingo. Around the same time, Fat Joe appeared on LL Cool J's large strike "I Shot Ya" (along with Foxy Brown and Keith Murray) and collaborated with Wu-Tang Clan's Raekwon on a track from the "Enviousness" single, called "Firewater." By the late '90s, Fat Joe had switched record labels (signing on with Atlantic) and tried his hand at other unmusical career ventures such as opening a article of clothing storehouse called Fat Joe's Halftime, a barber shop, and a fashion line, FJ560. In summation, he signed a production and distribution deal with Atlantic Records and Mystic Entertainment (which he ran with a partner named Big Greg). 1998 power saw the dismission of Fat Joe's debut for Atlantic, Don Cartagena, which featured cameo appearances by the likes of Puff Daddy, Nas, Raekwon, Big Pun, and Jadakiss (the LOX), following it up in 2001 with Jealous Ones Still Envy (J.O.S.E.), which included contributions from Ludacris, Petey Pablo, M.O.P., R. Kelly, and Remy. Loyalty followed in 2002, and All or Nothing arrived trey years after that. The natural Me, Myself and I from 2006 ground the rapper on his have Terror Squad depression, which was distributed by EMI.

Alicia Keys performs at Rosemont: Photos

Sunday 8 June 2008

King Sunny Ade

Artist: King Sunny Ade

   Genre(s):
Other

Discography:

Juju Music

Year: 1982
Tracks: 7

King Sunny Ade is the unchallenged martin Luther King of juju music, the dance-inspiring hybrid of westerly pop and traditional African music with roots in the guitar custom of Nigeria. Although he's yet to be the success that he enjoyed with his early-1980s albums and American tours, Ade and his banding, His African Beats, continue to interweave an infectious portmanteau of electric guitars, synthesizers and multi-layered percussion. Born to a syndicate of Nigerian royalty, Ade leftfield schooltime to prosecute a career in music. In the mid-1960s, he performed with a Highlife banding, Moses Olaiya's Federal Rhythm Dandies. Ade formed his have stria, The Green Spots, in 1967. Frustrated by the exploitation of the record industry, Ade launched his have record label in 1974. In the two and a half decades since, the label has released more than one c of Ade's recordings in Nigeria. Ade began to draw attending in the western world when triad of his albums -- Hoodoo Music, Selsyn System and Aura -- were released in the early-1980s on the Mango label, a foot soldier of Island Records. Ade and His African Beats made their debut American performances to enthusiastic crowds in 1983. Although Juju Music and Selsyn System showed signs that Ade was departure up to live up to charge as "the African Bob Marley," Aura was a commercial disappointment and the chemical group was dropped by Island Records. While they released an album, Authority, in 1990, it excessively failed to stir much commercial interest. E Dide (Experience Up), released in 1995, offered hints that the topper days of Ade and His African Beats ar so far to descend. The chemical group followed it with Odu, a collection of ancient Nigerian songs, in 1998; the album was nominated for a Grammy. Its followup, 7 Degrees North, appeared in 2000. Ade has remained a powerful strength in Nigeria. Money received from his early albums has been secondhand to launch an oil unshakable, a mining company, a cabaret, plastic film and video yield companionship, a PR unfluctuating and a record label specializing in recordings by African artists. It's been estimated than more than 7 c people are employed by Ade's companies. In the mid-1990s, Ade founded the King Sunny Ade Foundation, an organisation that includes a playacting liberal arts centre, state of the art recording studio and housing for loretta Young musicians and performers on a quintuplet acre tract donated by the Lagos state government. Ade currently serves as chair of the Musical Copyright Society of Nigeria. In 1996, Ade formed a "supergroup", The Way Forward, featuring crack Nigerian musicians. Ade and His African Beats make been featured in tercet films -- Juju Music in 1988, Lively At Montreux in 1990 and Roots of Rhythm in 1997.

Thursday 5 June 2008

Fourth Bourne film still a possibility

Actor Matt Damon and director Paul Greengrass have been discussing whether there will be a follow-up to 'The Bourne Ultimatum'.
Speaking to Empire magazine at the Empire Awards about the speculation regarding a fourth film, Damon said: "I think it's one of these stories that has a life of its own. Not that we're against it, we're all for doing a fourth movie but it means coming up with a good story. There are a lot of things that would have to happen before we would sign up for it."
Reacting to Damon's response, Greengrass said: "He says yes? It's news to me. I think the truth is that it's a very well loved franchise, but we're in the process of trying to work out what kind of film you could make."
He continued: "If there is one, what would it be? How it could go? Without any pressure; without any commitment to it, but everybody loved the franchise. We love it, but none of us would want to go again unless we're sure there's a worthwhile film and that could take some time. You don't want to do that when you feel like you've got to make it and none of us need to, so that's where we are".

Jim's Voice Doesn't Carrey Over Loud Chick

Rubber face Jim Carrey and girlfriend Jenny McCarthy put on yet another event for Autism yesterday in Washington, D.C. - this time to rid vaccines of bad toxins. Finally, someone who's taking a stand against immunizations.
Jim Carey: Click to watch!

Normally J.C. would be the loudest voice at a rally, however this woman with the megaphone didn't even give Jim or his ass a chance to speak. She was neither nice nor polite, but at least she wasn't funny.

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Madness

Artist: Madness

   Genre(s):
Alternative
   Punk
   Ska
   Rock: Punk-Rock
   New Age

Discography:

The Dangermen Sessions, Vol. 1

Year: 2005
Tracks: 13

Wonderful

Year: 2000
Tracks: 11

It's Madness Too

Year: 1999
Tracks: 16

The Harder They Come

Year: 1992
Tracks: 4

Divine Madness

Year: 1992
Tracks: 22

The Madness

Year: 1988
Tracks: 14

Utter Madness

Year: 1986
Tracks: 14

Mad Not Mad

Year: 1985
Tracks: 10

Keep Moving

Year: 1984
Tracks: 12

It's...

Year: 1984
Tracks: 16

The Rise and Fall

Year: 1982
Tracks: 13

Seven

Year: 1981
Tracks: 13

7

Year: 1981
Tracks: 13

Absolutely

Year: 1980
Tracks: 14

One Step Beyond

Year: 1979
Tracks: 15

Our House: The Best Of

Year:
Tracks: 21

Along with the Specials, Madness were one of the preeminent bands of the ska revival meeting of the later '70s and early '80s. As their calling progressed, Madness forficate away from their trademark "nutlike sound" and merged great elements of Motown, individual, and British pop up. Although the band managed one crossover American hit in 1983, the band remained a British phenomenon, influencing respective sequential generations of musicians and decent i of the most dear groups the country produced during the '80s.

The origins of Madness lie in a ska group known as the Invaders, which was formed by Mike Barson, Chris Foreman, and Lee Thompson in 1976. By 1978, the band had changed their identify to Morris and the Minors and had added Graham "Suggs" McPherson, Mark Bedford, Chas Smash, and Dan Woodgate to the grouping. Later in 1978, they changed their name to Madness, in homage to one of their deary Prince Buster songs. The undermentioned year, Madness released their debut single, a tribute to Prince Buster entitled "The Prince," on Two-Tone. The vocal was a surprise success, reach the British Top 20. Following its success, the band sign a record compress with Stiff Records and released some other Prince Buster vocal, "One Step Beyond," which climbed to number seven.

Foolishness promptly recorded their debut album, likewise coroneted One Step Beyond, with producers Clive Langer and Alan Winstanley. Released toward the end of the year, the album unwell at number iI in Britain and it stayed on the charts for well over a year. At the rootage of 1980, the band's tierce single, "My Girl," peaked at number three. For the side by side deuce-ace years, the chemical group had a virtually continuous run of 13 Top Ten singles, during which time they were one of the most democratic bands in Britain, rivaled only by the Jam in damage of widespread popularity. Where the Jam appealed to teenagers and young adults, Madness had a broad fan base, stretch from children to the aged. Which didn't mean their euphony was dilute -- they continued to expand their sound, both musically and lyrically.

In the spring of 1980, Madness released the Work Rest and Play EP, which reached number six on the intensity of the EP's lead vocal, "Night Boat to Cairo." Also during the spring, Ane Step Beyond was released in the United States, where it peaked at 128. Madness' second record album, Absolutely, was released in the fall of 1980. The record seedy at number deuce on the British charts, only it stalled at number 146, in the U.S. Sire dropped the stripe later on the commercial-grade letdown of Absolutely, departure Madness without an American record get for several years.

Bet on in England, Madness continued to gain momentum, as the chemical group began playing matinee shows on their tours so children under 16 years old could wait on the concert. In the fall of 1981, the striation released their third record album, 7, which peaked at numeral five. In January of 1982, Madness attain number four with a cover of Labi Siffre's "It Must Be Love." In March, their streak of Top Ten hits was off-and-on when "Cardiac Arrest" stalled at number 14 on the charts, due to radio's indisposition to act as the melody. The stripe bounced punt a few months later with "House of Fun," their number 1 number one single. That same month, the hits compiling, Complete Madness, reached number ane.

Foolishness returned in the late summer of 1982 with The Rise and Fall, their full-fledged shift to pop. Like their previous albums, it was a British attain, stretch the Top Ten, only it also contained the seeds of their brief American success with the Top Five British unmarried "Our House." The unmarried was released in America on the group's new mark, Geffen, and it received heavy airplay from MTV. The music-video television network had antecedently played the videos for "House of Fun," "It Must Be Love," and "Cardiac Arrest" when the band's albums were unreleased in the United States, thereby scene the microscope stage for "Our House" to become a massive hit. With "Our House," Madness had MTV exposure cooccur with a record firing for the first time, which sent the single into the American Top Ten in the summer of 1983. The success of the single brought the U.S. compilation record album, Foolishness, to number 41. Madness managed one more than American Top 40 attain that fall, when "It Must Be Love" seedy at telephone number 33.

At the end of 1983, Mike Barson -- the band's samara songster -- left wing the group to settle down with his wife. Although Madness was able to stay on near the top of the charts with their low gear post-Barson tone ending, "Michael Caine," the band's fortunes began to decline o'er the course of 1984. Upon its release in the spring, Keep Moving hit telephone number captain Hicks on the British charts; in America, the record reached telephone number 109. In June, the mathematical group released its last single for Stiff Records, "One Better Day," which seedy at telephone number 17. In the fall, Madness formed their have record tag, Zarjazz. Madness released "Yesterday's Men," their starting time transcription on Zarjazz, in September of 1985, well-nigh a twelvemonth later on the label's organization. The record indisposed at number 18 and its parent album, Harebrained Not Mad, reached number 16 upon its October release. Their chart refuse continued early in 1986, when their cover of Scritti Politti's "Sweetest Girl" seedy at telephone number 35. For well-nigh of 1986, the radical was restrained. In September, Madness proclaimed they were disbanding. Two months later, their word of farewell single, "Wait for the Ghost Train," was released, charting at number 18.

Later staying sleeping for a year and a half, the mathematical group reunited at the beginning of 1988 as a quartette called the Madness, releasing its rejoinder single, "I Pronounce You," in March. The Madness featured Chris Foreman, Lee Thompson, Chas Smash, and Suggs, and was augmented by the Specials' keyboardist Jerry Dammers and Steve Nieve (keyboards) and Bruce Thomas (basso) of the Attractions. "I Pronounce You" reached number 44 on the U.K. charts and its sequent record album stiffed upon its fountain discharge. The mathematical group disbanded for a second time that fall.

In the summer of 1992, the original lineup of Madness reunited to perform 2 outside concerts at London's Finsbury Park. The mathematical group dubbed the event Madstock and released a recording of the shows on Go! Records. Madstock became an annual event for the succeeding quaternary days -- every summer the banding would reunify and headline an outside festival at Finsbury Park. Suggs launched a solo calling in 1995 with The Lone Ranger, which performed creditably in the U.K. charts. In 1996, Madness played the last Madstock and proclaimed they planned non to reunite for future concerts, simply by 1998 they were back on the road, with a Los Angeles date recorded for release as Universal Madness the following twelvemonth. The mathematical group besides reunited with original producers Clive Langer and Alan Winstanley to record their first-class honours degree new corporeal in all over a 10. The resulting Dangermen Sessions, Vol 1 was released in 2005.

The Office star cast in Mendes new comedy

Tatum O'Neal: 'My Dog's Death Drove Me To Drugs'

Tatum O’Neal has blamed the death of her dog on the need to acquire drugs which resulted in her arrest on Sunday.

The former child star, who chronicled her recovery from a heroin addiction in her 2004 book A Paper Life, was caught by police after she was spotted by a narcotics team exchanging money with a man three blocks from her home in the Big Apple.

At the time of her arrest, O'Neal allegedly told cops she was "doing research" for a film role, but she has now changed her story, claiming the passing of her dog three weeks ago "set her off".

She tells the New York Post: "There's no excuse for what I did. (But) I lost my Scottish terrier, Lena. That seemed to set me off.

"She got old. She got cancer. She was the fabric of our family. We had to let her go to heaven. My daughter and I had to put her down. It was too horrible for words.

"I couldn't get out of it. I was going to my psychiatrist. I was doing everything I could do. I have the disease of alcoholism. It's lifelong. I treat it every day by going to my 12-step program."

And she has hailed the New York authorities for saving her from turning her back on her sobriety.

She adds: "I'm still sober! Just when I was about to change that and wreck my life, the cops came and saved me!

"I was saved by the bell, by the guys in the Seventh Precinct."

O'Neal has been charged with one misdemeanour charge of criminal possession of a controlled substance and is due in court on 28 July.

Phillippe finds ex-wife's new love 'bizarre'

Ryan Phillippe has reportedly said that he finds it "bizarre" to think about his ex-wife's new relationship.
The 33-year-old star told USA Today that he avoids looking at photographs of his former partner Reese Witherspoon with her new boyfriend Jake Gyllenhaal.
Phillippe said: "It's bizarre. There's plenty of times when I say, 'What a strange situation I've found myself in'. But at a certain point you know it's going to happen, so you are prepared."
When asked to comment on his own love life, the actor said: "It's just something I would really rather not address. It has to be a 'no comment'. "
Phillippe and Witherspoon, who have two children together, split in October 2006.

Thriller added to US National Recording Registry

Classic Michael Jackson album �??Thriller�?? was among twenty-five recordings added to the US National Recording Registry today (May 14), as part of the Library Of Congress�?? plan to preserve �??culturally, historically or aesthetically significant�?� recordings.

Herbie Hancock�??s �??Headhunters�??, as well as material from Roy Orbison, Smokey Robinson and Duke Ellington were also included in the registry as were the 1977 record of Earth sounds that flew aboard the spacecraft Voyager and Harry Truman's Democratic National Convention speech in 1948.

Navajo songs were also included this year, as were recordings of New York Mayor Fiorello LaGuardia reading comics aloud for a group of children in 1945, reports the Associated Press.

25 recordings are added to the registry each year, compiled
from a Library of Congress preservation board and online suggestions from the public.

--By our New York staff.
Find out more about NME.

Miley Invited to Add Lustra to Her Repertoire

If you can't beat 'em, join 'em. Or, use their star power to enhance your own name-recognition.

Figuring the kid didn't know any better, the L.A. band Lustra, which...